Two Poems by Callie Garnett
Two poems by Callie Garnett in COMPANY
CALLIE GARNETT
COKE 257
for Seldon
Yuan Must
be in the airport where primeval
coke drinkers riot condensation
on the glass inside me. I am
whole (never used the word “vector” right though, don’t think)
but I have to go there first to the
arrow, down when it’s done / spun. Sing: “Till you’re back in my arms / I’ll be waiting up”—this a way of fainting while learning to count on the end of
the song (“end”?) any song has about as much “end” as a…(delusions
of palace). I’ve been thinking about our iPhone fathers. How forthright the column of Notes they seem to know is: our liquid preferences. Think now I know what Adam meant: if you’re gonna stay w/ the moment of comp, climb inside even this David Gray song, make the A
in his My your… make it yours. “If coke was always 2.57”—that’d be scarce time. If the life-size chaperone w/ a bun (a bun?)
holding tiny proof of shampoo drink feels the bright insufficiency with
the lambs we’re in the clear, we’re in
this together.
At age 7 Pepsi aired its cheating heart ad,
& I named myself Patsy Cline for the smoker’s voice I thought my gray bear
would have. Then I named my own name C for C_____,
& C saw it scribbled in soft tire on the street:
the final name, the name to save for
later from ever being spoken. It
was “meager”—the last name—’s what really got me. What really got me was
the lowercase creeping of the meag: low freq. trust in a day when creep will be speech, speech laugh, when even Ogre wants
a Face in the sun See me C. meager w/out any hint of self-opinion (you see it in the scalps of women) This is not a face you cross. This is
a lodge (& the candy sits out) land of cassette tapes, not so far away murmuring in tissue still vital-ish afflicted w/ lots of pink &
blue-light fritzes when I pee myself
• • • I am of the chosen b/c Recognition
for my layover. “Poets are ludicrous. And the best people I know” will be my epigraph, or “Language is…” blah blah … a valiant “those who dare to compose”—O shame—I’m of the chosen b/c Shock of Recognition in my mother’s moist eye, not of her (ick now The Shins?) but bigger Hers like me… of course let it not be enough
shock to kill her. She’ll say shock away, I want to dance until my spirits freeze.
• • • Even as I sat there relieving myself, I felt it. Then I noticed verily the climbing-wall of
Dino textures lining my
way to my gate (B29) & the great surge
to my gate, great when red, I ride over all the offers
in my wagon.
Not to mention all the young nerd
men, the deadest time to see people
in the airports reading what they
want to read, wives (why accept this?)
seated, their ring on Eva Mendes’ glossy arm, lifted. The bathroom janitor (almost said “attendant”) slips out of a stall
into an incest of the hall.
She’s almost as small boy as her love for toilets & cleaning
spray. She begs me say she’s not old— O what a friend I’ve been to women who recognize in me the familiarity
of them. I flirt w/ their purposes in
life, I cast my lot across the good surfaces humility… plus I’m so appreciative “They always want more,” said the fairly successful man, B29. My terminal seat-mate is watching the webinar.
• • • That isn’t the point, the guy on the screen
is, the webinar guy is an expert in Offense (thought he said
“of fence”). This guy just died in Sheldon. This webinar—this guy just died in Sheldon is the news amidst this—small community of skin tags. He looks just like John Lithgow w/ an
arm cast. Judging by his shoes maybe he saw a serious life but not super- serious (?) & would like to die
retired. “How to angle a shot” is part of his info.
Actually This guy just died in Sheldon He just died in Sheldon in Sheldon in Sheldon Why is that the shock? Shell.
She’ll “She’ll wait forever” counting the
stars. Those, plus it’s close to
my most impersonal friend: Seldon, see him Seldom, b/c he lives in a name-off. I’ll tell Seldon
I finally got a long poem. I’ll say it was the Beach Ball Method—keeping it in the air—and
the Vacuum Cleaner Method—sucking in all around you—both, but mostly the Airport Method (glad I had on ankle socks at security) Is this how
it is? I boil, we whistle. He’ll make a “Duty Free” joke—something better than that. I’ll want to return to
beating up these mediocre forms I love: George Harrison’s old brown shoe, a raindrop that just sits on wood like
oil. I can’t be of a crowd who
loves these things or be one, but … What is crowd? I mean what is? crowd. I ask b/c our intimacy was a peeing in a crowd thing. She slipped out of a stall into an incest of the
hall & left the big blue master trash
can just sitting there. He’ll make a “Duty Free”
joke—No No brown paper. No blue bags in the gray cans, the serfs of cans. “She
must have slipped away” I say to Mary Oliver, whose bathroom attendants have wings in their hands & every
public emission is smoothing the Raven down. I’m sorry to say this has
been just a set up to tell you a
short tale.
I’m sorry
to say this has been just a set up to tell you a
short stack of towels left on the sink said
“LEAVE HERE” in no uncertain blue ink. Where
she goes I
see a colorful scrawler kit kid who “threw cancer a curve ball” (cheers).
Is it that time? To stand-up-straight in
the hall? His small finger-colored nails (wailing their way from the blade)
one yelp in the good leg fabric left,
cloth around his stump. I Love You Adam Bender of Lexington, Kentucky. Please don’t let them have your bat (wheels in the can, a woman crow-like
purrs about her bladder & a
growing boy who loves me). It’s 2.57 for a airport
them don’t own think now I see what Adam meant by —hold it, hold it |
BOB ROSS
for Bob Ross & I am not involved. As she speaks, the receptionist the good-smelling nurse the softer airport security pat-down light sweeping sounds pthalo
blue on liquid white ensue. Even today I can induce the surface surface a focus of this Response: Autonomous Sensory
Meridian Response.
Response, Dave says, somewhat meekly it’s to relax or fall asleep. A woman, “Gentle Whisperer” is
tapping the hairbrush’s wooden handle drumming with gold lacquered nails & across the
bristles. Rain. Homeward I came every day from school to watch Bob
Ross empty of content & off myself in swarm. Gracefully she pours the semolina on the floor then, softly there is semolina everywhere. She, whom the greeks
call
, or she- whose-iridescent-lip-splits-gently-in- breathy-smile-&-slides-up-her-tooth- noisefully,
like Eros, carries
a sound bow & ten times submerged I tried,
teacher to awaken in the face-paint booth,
but fell into a deep breath just past
your right ear. A kindergarten trick. Do you remember his beatific fro and baritone? His earth, which nature swept this way crushing itself methodically unto the gessoed
base of his snow-trimmed fir how he coaxed the clouds that in your world, lived already wet on wet, just wherever. Glow with me and happen. Practice Freedom. Play with my hair or other triggers. Is it a sex thing? I asked. No
he said, I mean maybe it’s just this thing, & on that
bow the lustrous string is made of a chain of bees. Another box of legos
open young women rustle the database & trace out lice along paths unthought
as recitation of mass in latin some, oddly stroking their long hair as if to ensure between you and your pillow between waking and sleep the dental hygienist still gazes up into the lens, demented Attention Induced, with her 3D microphones where my cheeks would be and her blush brush. |
Callie Garnett is the author of the chapbook HALLELUJAH, I'M A BUM, a collaboration with illustrator Tallulah Pomeroy (Ugly Duckling Presse). Her work has appeared in Prelude, Public Books, and The Literateur. She lives in Brooklyn, and works as an Assistant Editor at Bloomsbury Publishing.