Four Poems by Jennifer Moxley
COMPANY EDITIONS is an independent publisher of poetry and visual art. The journal, Company, was founded in 2013 and is published three or four times per year. We will also be publishing chapbooks beginning in late 2016. Company Editions is based in Athens, GA, Iowa City, IA, and Cambridge, MA. You can contact the editors by emailing editors@companyeditions.com.
JENNIFER MOXLEY
THE SPARK
| 
   I wrote this happiness myself. I chose this man, this house, this
  cat. I put my shadow twin  upstairs in the leaf of a mediocre book I thought  never to open again. I felt grateful.
   Upstairs there were many  photo albums with gluey pages  and yellowed Mylar in between  which Poloroids
  had come  unstuck. In them happy children  pitch tents, watch TV,  open presents, and smile before  homemade birthday cakes.  Had I known them? I knew  that I was not missing them  or missing out and thus my heart  was full. But, I thought, should phosphorus mix  with potassium chlorate  and hit the gaseous air,  this man, this house, this cat,  be lost, what then? They’d join  the many other dead whose memories I tend.  I cannot miss. My heart is full  and grateful. But, I thought, while I still could, should  neuro plaques and tangles  knot my mind my heart would empty and all of this would  cease to be. I could not miss it,  nor even this, my spark.  | 
 
UP TO THE MINUTE
| 
   The violence of the human world does
  not scale. Digits thumb up the glow until the
  clip, the feed, the ad  Shoot through the eyes into the head.
  The backed-up Neglected rooms shake with new
  poisons, information, and numbers.  The unfilmed
  quiet that follows the rifle. Heads: of state, severed,  In a mass, rivers of adrenaline
  compelled by violence,  Human, worldly, tearful or gleeful,
  all is turned to rage.  The old—never again will there be
  such as are now. The wind knows what to do. The snow.
  The little life  That’s lost beneath the Earth’s
  benevolent death.  As we try to sleep the screened-in
  head ignites With endless clips of violence. This
  is our truth?  What’s muffled: some thought about
  hope  In an old book that somebody by
  candlelight  Wrote the moment she knew all hope
  was gone.  Crumpled youth can still laugh at
  death, but any age Can apply this mortal urge to
  resignation, or righteousness To create more bright violence. Here
  is belief?  Humans are lit up: we can know all
  and see everything,  Face the hatred and be mistaken for
  brave, raise our  Convulsive fist in an attempt to
  conform to new  Scales of violence reflected off
  these surfaces, Distracting us from other worlds,
  inward, or yet begun.  | 
 
APPOINTMENT
| 
   One onus on an empty calendar             Penciled
  in at three o’clock Is more blood-tick to the soul’s good
  humor             Than
  a whole day eaten of work.  | 
 
THE CRADLE
| 
   My consort is in concert with the
  waves He dolphins through the seaweed
  ropes, salted  With flesh-memory of his youthful
  days The purpose just existence, exalted  Body set free from calendared hours,  The ransomed life, the hourglass
  sandstorm. To my consort it seems the sea
  authors   A form he must follow, he must
  perform An ichthyan
  act: robbed of oxygen  That he might feel dissolved in that kindless Edge of presence, which lives within
  the lexicon Of ear—a breath-robbed tide-dandled
  blindness In which my consort counts the beats,
  five-fold  Iambic “deaths” recoiled from ancient
  shore,  Five-fold the poet’s dance to
  patterns old.  A radiation from the cosmic core Attracts the man with whom my fate’s
  attached, His life-trace succumbs to the sea’s
  deep-rhyme When up from primordial death he’s
  snatched By that rhythm moon-gripped, element
  sublime.  | 
 
Jennifer Moxley was raised in San Diego, California. She studied literature and writing at UC San Diego and the University of Rhode Island and received her M.F.A. from Brown University in 1994. She is the author of six books of poetry, a book of essays, and a memoir. In addition, she has translated three books from the French. Her poems have been included in two Norton Anthologies, Postmodern American Poetry and American Hybrid. Her book The Sense Record (2002) was picked as one of the five best poetry books of the year by both Stride magazine (UK) and Small Press Traffic (US). Her poem “Behind the Orbits” was included by Robert Creeley in The Best American Poetry 2002. In 2005 she was granted the Lynda Hull Poetry Award from Denver Quarterly, and in 2015 her book The Open Secret was awarded the Poetry Society of America’s William Carlos Williams award. She is Professor of Poetry and Poetics at the University of Maine.
