Four Poems by Jennifer Moxley
COMPANY EDITIONS is an independent publisher of poetry and visual art. The journal, Company, was founded in 2013 and is published three or four times per year. We will also be publishing chapbooks beginning in late 2016. Company Editions is based in Athens, GA, Iowa City, IA, and Cambridge, MA. You can contact the editors by emailing editors@companyeditions.com.
JENNIFER MOXLEY
THE SPARK
I wrote this happiness myself. I chose this man, this house, this
cat. I put my shadow twin upstairs in the leaf of a mediocre book I thought never to open again. I felt grateful.
Upstairs there were many photo albums with gluey pages and yellowed Mylar in between which Poloroids
had come unstuck. In them happy children pitch tents, watch TV, open presents, and smile before homemade birthday cakes. Had I known them? I knew that I was not missing them or missing out and thus my heart was full. But, I thought, should phosphorus mix with potassium chlorate and hit the gaseous air, this man, this house, this cat, be lost, what then? They’d join the many other dead whose memories I tend. I cannot miss. My heart is full and grateful. But, I thought, while I still could, should neuro plaques and tangles knot my mind my heart would empty and all of this would cease to be. I could not miss it, nor even this, my spark. |
UP TO THE MINUTE
The violence of the human world does
not scale. Digits thumb up the glow until the
clip, the feed, the ad Shoot through the eyes into the head.
The backed-up Neglected rooms shake with new
poisons, information, and numbers. The unfilmed
quiet that follows the rifle. Heads: of state, severed, In a mass, rivers of adrenaline
compelled by violence, Human, worldly, tearful or gleeful,
all is turned to rage. The old—never again will there be
such as are now. The wind knows what to do. The snow.
The little life That’s lost beneath the Earth’s
benevolent death. As we try to sleep the screened-in
head ignites With endless clips of violence. This
is our truth? What’s muffled: some thought about
hope In an old book that somebody by
candlelight Wrote the moment she knew all hope
was gone. Crumpled youth can still laugh at
death, but any age Can apply this mortal urge to
resignation, or righteousness To create more bright violence. Here
is belief? Humans are lit up: we can know all
and see everything, Face the hatred and be mistaken for
brave, raise our Convulsive fist in an attempt to
conform to new Scales of violence reflected off
these surfaces, Distracting us from other worlds,
inward, or yet begun. |
APPOINTMENT
One onus on an empty calendar Penciled
in at three o’clock Is more blood-tick to the soul’s good
humor Than
a whole day eaten of work. |
THE CRADLE
My consort is in concert with the
waves He dolphins through the seaweed
ropes, salted With flesh-memory of his youthful
days The purpose just existence, exalted Body set free from calendared hours, The ransomed life, the hourglass
sandstorm. To my consort it seems the sea
authors A form he must follow, he must
perform An ichthyan
act: robbed of oxygen That he might feel dissolved in that kindless Edge of presence, which lives within
the lexicon Of ear—a breath-robbed tide-dandled
blindness In which my consort counts the beats,
five-fold Iambic “deaths” recoiled from ancient
shore, Five-fold the poet’s dance to
patterns old. A radiation from the cosmic core Attracts the man with whom my fate’s
attached, His life-trace succumbs to the sea’s
deep-rhyme When up from primordial death he’s
snatched By that rhythm moon-gripped, element
sublime. |
Jennifer Moxley was raised in San Diego, California. She studied literature and writing at UC San Diego and the University of Rhode Island and received her M.F.A. from Brown University in 1994. She is the author of six books of poetry, a book of essays, and a memoir. In addition, she has translated three books from the French. Her poems have been included in two Norton Anthologies, Postmodern American Poetry and American Hybrid. Her book The Sense Record (2002) was picked as one of the five best poetry books of the year by both Stride magazine (UK) and Small Press Traffic (US). Her poem “Behind the Orbits” was included by Robert Creeley in The Best American Poetry 2002. In 2005 she was granted the Lynda Hull Poetry Award from Denver Quarterly, and in 2015 her book The Open Secret was awarded the Poetry Society of America’s William Carlos Williams award. She is Professor of Poetry and Poetics at the University of Maine.