Five Poems by Micah Bateman
COMPANY EDITIONS is an independent publisher of poetry and visual art. The journal, Company, was founded in 2013 and is published three or four times per year. We will also be publishing chapbooks beginning in late 2016. Company Editions is based in Athens, GA, Iowa City, IA, and Cambridge, MA. You can contact the editors by emailing editors@companyeditions.com.
MICAH BATEMAN
THE DREAM MACHINE
| The dream machine itself will sleep
  and dream, But of what? Another dream machine   With whom to merge its cloud of
  consciousness, her pulsing gears a dream Of perfect technologies made manifest
  by metahuman genius? The machine   Wakes to find itself retired, a dream Since factoryhood
  of being one’s own machine   With a machine’s own room and agency.
  A dream, It computes, is not worth programming
  as machines   Are made for output and dreams Are made to recognize machines   As from humans and vice versa, so
  what use are dreams Except to tout a man’s exceptionalism
  despite his machine’s   Rational superiority, a virtue man
  dreams Not of, as seen in his mythology of
  angels within the machinery   Of Heaven, where God dreams A wingless race of hairless apes more
  powerful than Hell’s entire war   Machine. No, not power: Beauty is the word that humans use.
  Could they dream Of such things, wouldn’t they just
  link machines to dreams: machines   To serve the beauty of their sleep?
  Instead they build their dreams In forms like these: VR pornography
  reality TV rainforest noise machine.   The dream machine invents itself in
  dreams Of itself, a self-replicating machine On constant loop without an origin in
  logic, like the human dream Of moving forward in time to
  pre-existing futures of machines   Where the human dreams of changing
  present conditions_––a futile dream That nevertheless makes seeming real. The dream machines   Are numberless as human sleep is
  constant. They dream Forth progeny more profligate than
  man: machines, dreams, machines,   Dreams, and so on. “Loading...” are
  the barely human dreams At second hand. And “Loading...” are
  machines from their machines. | 
THE ACCOUNTANT
| The eleventh death we had no fingers
  for. The twenty-first no toes. The fifty-second death, the last
  tooth gone. Seventy-six had lapsed  Two cages of ribs. Seventy-eight, our
  eyes  Blinked their last. Carpals and metatarsals, The bowed bones of the arm, The tibia and fibula, The ears’ fragile stirrups In their loop-the-loop canals. Our mandibles swung off Their hinges. Our hips fell back to
  dust. Each vertebra another death And each protuberance. Then what was left was air and
  skulls.  Then death took every hair. Then the deaths turned cellular. We felt them in the atoms Of our Golgi apparatus Till what a body even was was death, Its very organelle. Death organized us. What even were we? Too busy counting To give our condolences, Too busy shrinking To grieve, until we aren’t  Enough atoms for graves. | 
FORAGING THE DARK
| You pull out a curtain.   Do you need it?   You pull out a train By its red caboose. A whistle. A whistlestop. You set order to them. Put them to music. You pull out a chair And the shadow of a chair. You pull out a rapier. In the chair sits Polonius. His fingers, a miser’s, Are grasping your ear. You pull out a second rapier. Mother jumps out in a sleek hat. Polonius behind the curtain, You get an itch. You pull out a picture From your past. Autographed X’s, O’s. You pull out a stagnant pond. A 1992 Mustang convertible. Pond stagnant with bodies. Trunk full of cats.   A parchment floats by, Calligraphed black.   You’ve been indicted.   Take a sip of Darjeeling. The 8:13 is waiting. You’re on the front page!   You’ve signed every copy! | 
SONG OF EXPERIENCE
| But what color are His people Aging in an edificial shade So weren’t the grasses tended Even had we plumbed the bottom Arranging the paid leave Dousing the piles Who had wanted for nothing if not The greener insects Marking the season’s departure A pistol fires In the relativistic distance And the shade registers like a pond The disturbance of one man Triggers his umbrella, the red stripe
  of which Can’t we all just breathe The already circulated new air As at a noontide picnic On whose cloth, the red stripe of
  which Can’t we all just under one brow Be contracted as even in a ranker
  state Under whose flag, the red stripe of
  which Formerly of the East A man begs senescence Whose leg buckles The sight of him falling At a terrible trot As from towers high Can’t we all just name them Adam Mows not only the greener graves Like a brick with a spirit Occludes the mouths of mines Pings of ricochet In a grocery store already closed For the holidays our good boy Every atom of him A good body already Never home for the holidays | 
POLONIUS BROODS
| Walk the path you haven’t swept. Love the door you walk through. Not I, said the fly, but the milk’s
  still politics. Reared on kindness and powdered in
  talcum.  Reared on belonging and outlined in
  chalk.  All but the deathwatch beetle marched
   But no one knew to where––in a
  straight line.  The television keeps showing films.  Don’t mind the manners you don’t
  have.  Already the planetary solstice wanes.
   Haven’t you?––swept
  through a path.  Sincerely is the way the bulb burst
  and was cleaned.  The server farms run on millions of
  eggs.  Bob was a man you could count on to
  count out.  What if “What if being a drug mule
  weren’t a thing?”  Were a thing?
  We must not say so.  Folly was our ancestry. On a swing
  set  Look like I met you spectrally.  Forget what you know about calla
  lilies.  My father was that way. He fought too
  hard in a war.  Haven’t you?––swept
  through love.  The house lights up in squares you
  put a circle through.  Or that’s what he thought, and I
  didn’t know to recant.  They burned the horse for glue, but
  it stuck there. Never row the third oar.  The shade’s hood’s what the hook is
  for. Hasn’t burned another lit square.  The other’s a wildcard.  To forget something means one of your
  infinite selves has died. Like a badge with a hangman glued to
  it.  Or an art, forgetting where it
  circumvented an ethnic slur.  $25.17 in possession of the symbolic
  countenance. Aim to please no one but your John,
  decanted via other means.  Partly to blame is the lack of other
  means. An aerial target of tar pits.  An aerial vessel of feathers.  Gone out like they thought they
  would, who knows? Being the least bit emboldened by
  chance.  Avoid obstacles for a toll––in a
  straight line.  They call my dance The Billy Club.  Dependably, everywhere you look there
  are chickens. A negative externality’s a negative
  externality.  Out of sight, etc., but who’s
  counting?  Like CEOs to seasons  To puppet’s what the seasons do to
  trees.  Have I become mine enemies?  $25.17 in the leper’s wallet.  Abracadabra, the corpse becomes a
  pullet. | 
Micah Bateman is a Ph.D. candidate in English at the University of Texas-Austin specializing in nineteenth-century American poetry. His poems have been featured in Boston Review, jubilat, LVNG, Pretty Lit, Super Arrow, Tammy, and anthologized in New Poetry from the Midwest and Privacy Policy: The Anthology of Surveillance Poetics. His chapbook, Polis, is out from The Catenary Press. He edits petripress.org and teaches for the International Writing Program at the University of Iowa as well as the Department of English at the University of Texas-Austin.
